Showcasing a mixed materiality, the works include botanical elements such as sand, lavender, and hibiscus, incorporated for their healing and transformative properties. Stylistically, Perutz borrows widely from multiple historical frameworks simultaneously; referencing pop aesthetics, fauvism, minimalism, as well as traditional outdoor painting.

Her plein air drawings include textual anecdotes and existential ponderings – testimonies to spontaneous exploration. Perutz’ work is shaped by conceptualization and intuition, organically intertwining & informing one another. Paintings are echoed in others, mirroring seriality through repeated subject matter and vivid use of color.

Fully immersive, Perutz’ exhibitions encapsulate installation and furniture, pressing the boundaries of the canon of the traditional landscape. Through these enveloping environments, Perutz seeks to explore parallels between nature and humankind, utilizing motifs and materials that reference the depths of natural worlds and collective memory through direct sensorial cognition, opening up spaces to consider both personal and universal themes of connection and separation.