Baronian Brussels is closing for the summer

We re-open on the 8th of September for 2 solo shows of Xavier Mary and Toufan Hosseiny.

The gallery in Knokke is open all summer

In July: Thursday–Sunday from 11am to 6.30pm.
Group exhibition "Private Sales at Baronian".

In August: Wednesday–Sunday from 11am to 6.30pm.
Solo show of Frank Stella

Yvan Salomone


Born in 1957 in Saint-Malo, France, where he lives and works.

You would think that Yvan Salomone’s work had all the right ingredients for the most banal regional scenario of picturesque, anecdotal art. But in Salomone’s case that never happened. He never fell for the quaint pleasures of the Sunday painter but began instead to explore the problematics of what we generally agree to call modernity. Salomone works to a program. A self-imposed one. He is like other contemporary artists who are aware that discipline is no longer imposed from outside (by the academy or patron) but produced by the work itself. His program is as follows :

1°) one watercolor per week, no more, no less

2°) each watercolour to be based on a photograph taken on-site (ports of St. Malo, Shanghai, Rotterdam)

3°) all watercolors the same size, 104 x 145 cm

4°) no human figures or sudden movements in the image.

These were the main guidelines and conventions.

They leave him free to explore what’s left : the play of invention, the meanders of poetics. Once properly framed and circumscribed, accidental effects can only be peaceful occurrences within a circular duration. Salomone works in a loop, a ring-shaped time frame. He dreams of a room in which all the walls (and even the ceiling) would be covered with his works, edge to edge. He cannot conceive of one of his watercolors standing alone. In exhibitions, he combines them in huge mural ensembles.

Salomone’s watercolors need to be read in at least two phases. At first, one notes the mass and poise of the hulls, the cold clarity of the presence of the containers. Then the drips and splatters come into view. The literal level of the image (a port with various machines) connects to a molecular one (these are blots, colors). The two work in phase, as if the water’s main task was to deposit surfaces and blocks, and that of the masses to dry out the pools. The image is played out in between the two. Salomone sees his own work as resisting much slower and more subtle medium of the watercolor.

Art Press n°288



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Capture d’écran 2021-07-10 à 14.08.02

Yvan Salomone

même le silence

10 July 2021 – 7 November 2021 10.07.2021 – 07.11.2021
Chapelle Saint Sauveur, Saint Malo

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Yvan Salomone

Au dessus du Barrage

7 September 2019 – 6 October 2019 07.09.2019 – 06.10.2019
Xippas Paris, Paris (FR)

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Yvan Salomone


21 September 2018 – 21 October 2018 21.09.2018 – 21.10.2018
Le Printemps de Septembre, CIAM LA FABRIQUE, Toulouse (FR)

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FRAC Bretagne

Yvan Salomone

Déluge et retrait

15 June 2018 – 26 May 2018 15.06.2018 – 26.05.2018
FRAC Bretagne, Rennes, FR

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Yvan Salomone_0319_0499-_safetycatch

Yvan Salomone

Déluge & retrait

15 June 2018 – 26 August 2018 15.06.2018 – 26.08.2018
FRAC Bretagne, Rennes, FR

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