Helmut Stallaerts
Man is undoubtedly the central motif in Helmut Stallaerts’ complex and broad oeuvre. It is not man in the here and now, but alienated man, blurred and absent. In a rather theatrical and often awkward way, he shows himself, poses for his audience. The actions he undertakes frequently smack of an undefined ritual. There is nothing comical about the absurd atmosphere created in this way; on the contrary, it is very strange and dark. The environment by which his human existence is framed is similarly alien: without any anecdotal detail, sterile and cold. The obsessive aesthetics that Stallaerts develops in his oeuvre creates a sacred dimension through which the works always relate to one another. This context creates a core around which all his works circulate. This enigmatic core, however, remains open: one can merely get closer to it, but never actually reach it. An exhibition by Helmut Stallaerts has the power to generate a view on the mysteries of being; it also confronts us with a truth that remains dark and that unhinges our own fictive truths.
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- John Phillip Abbott
- Jean Bedez
- Alain Biltereyst
- Aline Bouvy
- Marie José Burki
- Seyni Awa Camara
- Robert Devriendt
- Lionel Estève
- The Estate of Michel Frère
- Max Frintrop
- Mekhitar Garabedian
- Gilbert & George
- Stephan Goldrajch
- Olaf Holzapfel
- Toufan Hosseiny
- Chris Johanson
- Jean-François Lacalmontie
- Joseph Marioni
- Xavier Mary
- Dean Monogenis
- Olivier Mosset
- Tony Oursler
- Tessa Perutz
- Eric Poitevin
- Matthew Porter
- Yvan Salomone
- Charles Sandison
- Alain Séchas
- Bruno Serralongue
- Marcin Sobolev
- Charles-Henry Sommelette
- Helmut Stallaerts
- Takis
- Achraf Touloub
- Mitja Tušek
- Charlotte vander Borght
- Leen Voet
- Wang Du
- Thomas Zipp
- Gilberto Zorio
- Yves Zurstrassen